‘A Memory and a Prophecy’: Images of W. B. Yeats’s At The Hawk’s Well by Gerard Krasnopolski

This article examines W.B. Yeats’s ban on press photography during the first performance of At The Hawk’s Well in Lady Cunard’s drawing room in 1916, contrasting this with a photograph taken from a later performance by world-famous Symbolist photographer Alvin Langdon Coburn.