New wine in old bottles: A comparison between The Boxley Rood of Grace, and John Soane's Monk’s Parlour and Cell and Monk’s Yard, with reference to religious symbolism in material culture at the time of the Dissolution, and in the Romantic Era, E. Casey

This article compares and contrasts the sixteenth-century miraculous crucifix The Boxley Rood of Grace, and the architect John Soane's nineteenth century creations, the Monk’s Parlour and Cell and Monk’s Yard, which he built in his home at 12-14 Lincoln’s Inn Fields. Both the Rood as an object, and the Monk’s Parlour and Yard, as architectural novelty, are conduits for religious symbolism, and this article will examine how that symbolism was represented and treated at the time of the Dissolution, and in the Romantic Era.