MLA VIDES 2015

Welcome to the third edition of VIDES, the online journal produced by the students of the Department for Continuing Education, University of Oxford, as part of their Master’s degree in Literature and Arts. As the name of the degree suggests, the course covers many different academic fields alongside literature: philosophy, history, material culture, history of art, theology and architecture. The journal features essays that combine these disciplines, enlightening understanding in one field through study of another.
Date created:
Resources for this course
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Victorian Football – ‘A gentleman's game played by gentlemen’: The Demise of the Gentleman Amateur and Rise of Professional Football, With an Exploration of the Links Between the ‘Little Tin Idol’, Reverend A.H. Johnson and the OUDCE, M Freeman |
The ‘Little Tin Idol’ was the original Football Association Challenge trophy (FA Cup), given to the teams that won the competition from 1872 to... |
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‘Would the Scandal Vanish with My Life’: John of Gaunt in Two Tudor Afterlives, Jessica Fure |
Two artefacts produced during the Tudor era, both depicting John of Gaunt, convey a surprisingly unified tone despite the difference in date and... |
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Two Perspectives on the Execution of Sir Thomas Armstrong (1684): Tory Triumphalism and Dutch Distaste, James Drabble |
This essay analyses two accounts of the execution of Sir Thomas Armstrong, which took place at Tyburn on 20 June 1684: the broadside ballad, The... |
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The Tragic Heroine as ‘cõmoditie’: Iphigeneia by Lady Jane Lumley and The Execution of Lady Jane Grey by Paul Delaroche, Trudie Messent |
Lady Jane Lumley’s The Tragedie of Euripides called Iphigeneia translated out of the Greake into Englisshe refers to the mythical tragic heroine,... |
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“…they no power have, unlesse to dye”: Margaret Cavendish’s ‘Of the Shortnesse of Mans Life, and his foolish Ambition’ (1653) and Edward Collier’s Still Life with a Volume of Wither’s ‘Emblemes’ (1696), Hannah Yip |
This article explores the vanity of human life as represented in a poem, ‘Of the Shortnesse of Mans Life, and his foolish Ambition’ (1653) by... |
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“…they no power have, unlesse to dye”: Margaret Cavendish’s ‘Of the Shortnesse of Mans Life, and his foolish Ambition’ (1653) and Edward Collier’s Still Life with a Volume of Wither’s ‘Emblemes’ (1696), Hannah Yip |
This article explores the vanity of human life as represented in a poem, ‘Of the Shortnesse of Mans Life, and his foolish Ambition’ (1653) by... |
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The Art of Appearance: The Concept and Implications of Cosmetics in the Eighteenth Century, Alexandra Abrams |
A study of an excerpt from Letters to the Ladies, on the Preservation of Health and Beauty. By a physician, (1770), and a boîte à mouches, (c.... |
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Mirroring Mothers: Self-Identity and the Maternal Threat in George Eliot’s Adam Bede and Dante Gabriel Rossetti’s Lady Lilith, Olivia Bam |
An analysis of the character Hetty Sorrel in George Eliot’s Adam Bede (1859) and Dante Gabriel Rossetti’s Lady Lilith (1868) as reflections of the... |
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Women and the Indian Mutiny: Framing the Mutiny in a Punch Cartoon and a Lucknow Diary, Anna Matei |
Artefacts and news coverage created in Britain during the Indian mutiny represented and interpreted that conflict, creating meaning for the public... |
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How to Write about a Queen Regnant, Leah Gilliatt |
This article seeks to analyse how England’s first queen regnant was portrayed and how contemporary supporters of Mary reconciled the queen’s... |
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‘What are we to expect from women?’: Georgiana, the Duchess of Devonshire and Female Canvassing during the 1784 Westminster Election, Emily Sargeant |
Georgiana, Duchess of Devonshire was one of the most celebrated political women of the eighteenth century. Her canvass for Charles Fox in the... |
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Pioneering ‘Polite’ Models of Disability in Eighteenth-Century London: Matthias Buchinger’s Self-Portrait (1724) and William Hay’s Deformity: An Essay (1754), Anne-Noëlle Pinnegar |
Set against a contextual backdrop of contemporary British artists championing disability, this article explores changing attitudes to the self-... |
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Power and Identity: Indian Clubs as a Vehicle for Comprehending Material Culture, George D. Lee |
People assign meaning to objects, or accept meaning provided to them by others. Using the history of Indian clubs as a vehicle, an analysis model... |
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Sacred Profanity: Decoding the Lily in Dante Gabriel Rossetti’s The Blessed Damozel, Julie Ann Whyman |
It would be all too easy to dismiss Dante Gabriel Rossetti’s flowers as frivolous nosegays if it were not for their proliferation, compositional... |
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The Nineteenth-Century Mapping of the Himalaya by the Pundits, Robert Stanley |
The route mapping of the Himalayan region during the nineteenth century involved disguised Pundits engaged in clandestine survey of the remote and... |
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‘Come and Let Us Sweetly Join’: Engaging with the Dynamics of Early Methodist Practice and its Persecution through an Examination of Two Artefacts Related to the Love-Feast, Yvonne Farley |
As proto-Methodism spread and developed in the early to mid-eighteenth century the movement was challenged by excessively vituperative satire... |
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‘A Curious Dance Round a Curious Tree’: Agency and Amusement in Victorian Asylums, Ute Oswald |
The perception of the Victorian asylum is dominated by images of manacles, leeches and padded cells. Yet this obfuscates a very different side of... |
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Visions and Revisions: Addiction and Additions in Thomas De Quincey’s Confessions of an English Opium-Eater and Giovanni Battista Piranesi’s Carceri d’Invenzione, Alessia Pannese |
Thomas De Quincey’s autobiographical account Confessions of an English Opium-Eater compares opium-induced states of mind with the imaginary... |
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Magical Materialism: The Role of Costume in the Rituals of The Hermetic Order of The Golden Dawn and E. Nesbit’s The Enchanted Castle, Brynne Laska |
The dominance of scientific rationalism and the authority of organised religion in the Victorian era set the preconditions for dissent as the... |
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Apparitions and Appearances: Ghost Stories and Paranormal Research in the Nineteenth Century in Mary Louisa Molesworth and Ada Goodrich Freer, Muhamet Alijaj |
Literature on the supernatural became very popular in Victorian society. Ghost stories became widespread and veridical literature and studies on... |
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A New Form of Expression: Julia Margaret Cameron’s Photographic Illustrations of Alfred Lord Tennyson’s Poetry, Hannah Sothern |
This article considers how the early British photographer Julia Margaret Cameron used the aesthetic language of the Pre-Raphaelites to illustrate... |
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‘Sounding of the Voice’: Interpreting the Earl of Rochester’s Epilogue to Love in the Dark through an Analysis of Matthew Locke’s Musical Score to Psyche, Thomas J. du Plessis |
This article explores the Earl of Rochester’s Epilogue to Love in the Dark through the music drama Psyche by Thomas Shadwell set to music by... |
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Stealing Soldiers’ Hearts: Appropriating Henry V and Marching Shakespeare’s Boys off to The Great War, Paul Brown |
This essay examines a Memorial Stained Glass Window from World War I that depicts Shakespeare’s ‘Henry V at Prayer’ before the battle of Agincourt... |
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Dionysus in Marble and on Paper: Looking at the Culture of Collecting and Changing Practices in Conservation, Catharine O’Shaughnessy |
During the eighteenth-century, many aristocrats collected ancient stone sculptures from Italy and Greece, for installation in their grand... |
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Theatricality and Restoration: the Re-construction of Royalty, Jackie Colburn |
The two artefacts under discussion in this article are the fourth Triumphal Arch, constructed in London for the coronation of Charles II in 1661,... |
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‘A Kind of Silent Rhetoric’: the Significance of the Worthies of Chillingham Castle, Anna Brunton |
This paper examines the political, cultural, and religious context of the Jacobean statues of the Worthies of Chillingham castle. This is... |
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