Fine art
Here you will find all the resources identified by our tutors as useful for the study of this subject, arranged in ascending alphabetical order. Browse the tiles and descriptions to discover if there are any resources of interest to you, or click on any of the keywords to see resources sorted by more in-depth topics.
Fine art (W100): The aesthetic representation in one medium of what is reality in another. Encompasses all artistic media.
Displaying 1 - 10 of 10Type | Title | Description | Keywords | Full details |
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The Acquisition of Taste: The replication, reproduction and reception of a classical gem in Britain in the eighteenth and nineteenth centures by Richard Aronowitz |
This article examines the influence that the three-dimensional replication and two-dimensional reproduction of classical gems in... |
art history | view | |
The Power behind the Pearl by Dana MacMillan |
This article will focus on two sixteenth-century portraits of powerful men adorned with pearls, with both works connected by... |
Elizabethan, Portraits, Colonialism | view | |
Covetousness and commodification: the eroticised female body and cultural representations of death by Natasha Shirman |
The Victorian cult of mourning meant that the ritual of death became a visual affair, which placed women firmly at its centre. These gendered... |
mourning, Dante Gabriel Rossetti, Victorian Culture | view | |
Reflections of reflections of reflections: Shelley and the terrifying necessity of fragmentary art by Andrew Turner |
This article is concerned with an analysis of Percy Bysshe Shelley’s ‘On the Medusa of Leonardo da Vinci in the Florentine Gallery’ as a... |
Percy Bysshe Shelley, Medusa | view | |
The Angel in the House and Fallen Women: Assigning Women their Places in Victorian Society, Sarah Kuhl |
This article juxtaposes Coventry Patmore’s poem ‘The Angel in the House’ and William Holman Hunt’s painting ‘The Awakening Conscience’, examining... |
Pre-raphaelite, 19th century, Victorian, Gender, feminism, Poetry | view | |
The Material Abbey: J. M. W. Turner and William Wordsworth by Dewey W. Hall |
The paper examines representations of Tintern Abbey, as part of the Wye Valley, by J. M. W. Turner and William Wordsworth through visual and print... |
Tintern Abbey, William Wordsworth, Joseph Mallord William Turner, 19th century | view | |
The Other Side: Themes of Swedenborgian-spiritualism in Dante Gabriel Rossetti's The Blessed Damozel by Rosanna Hayes |
This article will explore two expressions of Swedenborgian-Spiritualism in Dante Gabriel Rossetti’s painting The Blessed Damozel and... |
Dante Gabriel Rossetti, Poetry, Death | view | |
The Nocturne and the ‘Native Village’: contrasting Japonismes in late-Victorian London by Jonathan Parker |
This article contrasts two manifestations of the late-Victorian fascination with Japonisme – James Whistler’s painting Nocturne in Blue and Silver... |
Japonisme | view | |
Know thyself? Did Phrenology help William Powell Frith address middleclass Victorian crowd anxiety? by Jane de Beneducci |
Lorenzo Niles Fowler’s Phrenology bust of circa 1850 has achieved a modern iconic status as an artefact that represents either a quackish... |
phrenology, Victorian Culture | view | |
Between The Spheres: Breaking The Boundary Between Private And Public Spheres In Wilkie Collins’s The Woman In White And William Holman Hunt’s The Lady Of Shalott, Alison Westwood |
The nineteenth-century notion of a public sphere for male-authored content and a private sphere for female-authored content made the female diary... |
19th century, Gender, Sexuality | view |